(25 August 1719 -15 November 1795) was a French painter of allegorical scenes and portraits. He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, where in 1738 he won the Prix de Rome, then at Aix-en-Provence, before returning to Paris in 1745. He was invited to join the Academie Royale de Peinture et de Sculpture in 1747, and that year he married his cousin Marie-Marguerite Lebrun, daughter of the painter Michel Lebrun (died 1753). Among his brothers were the painters François van Loo (1708-1732) and Louis-Michel van Loo (1707-1771).   Related Paintings of Charles-Amedee-Philippe van Loo :. | Chamois in the mountains | Christoph Kolumbus prasentiert den Katholischen Majestaten die Neue Welt | A Mcadow | female Harlem nursing home manager who | Madonna of the Meadow (detail) ibk |
Related Artists:
HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
Lauret Aine
1806-1882
Peter von Cornelius
German Realist Painter, 1783-1867 German painter, draughtsman and teacher. He was a leading figure in the 19th-century revival of fresco painting for the decoration of public buildings. In both his own work and his teaching he was more concerned with conception and design than with the execution of the finished work.